信盈影院提供的《狂野街頭》不是一部簡單的英語恐怖片，Barry,Shear導(dǎo)演的狂野街頭首次上映于1968年的美國地區(qū)，是一部在電影史上有著重大意義的英語語言對白電影，狂野街頭電影是一部值得反復(fù)觀看的經(jīng)典之作，它每一次觀看都會帶給觀眾新的感受。

電影《狂野街頭》觀后點(diǎn)評：《狂野街頭》電影的場景設(shè)計(jì)精美絕倫，電影中的每一個場景都充滿了藝術(shù)感。

《狂野街頭》電影劇情介紹：Deserves recognition as an interesting misunderstanding of the hallucination generation, 20 January 2007　　Author TimothyFarrell from Worcester, MA　　Wild in the Streets comes from the same school of film making that spawned other attempts to connect to the counterculture such as Skidoo and Candy. The difference between this and the aforementioned films is that Wild in the Streets is reasonably clever and well-made. It isn't sympathetic to the counterculture and will likely offend those with fond memories of the time. Surprisingly, it was a big hit when released and appealed to the youth whom it ridiculed so much. Unlike The Trip and Psych-Out (two other AIP films), its not an accurate representation of the movement at all. However it does work as social satire.　　The direction by Barry Shear is good and makes innovative use of split screen photography. Plus, he keeps everything moving at a quick pace. In its funny moments, the film works well. In its attempts at drama, its helplessly dated and just as funny as the humorous moments. Christopher Jones underplays his role and Shelly Winters overacts. Hal Holbrook offers the best performance and Diane Varsi achieves the right note of grooviness. The script by Robert Thom has its moments, especially the ending (easily the most ingenious part of the film). Wild in the Streets isn't perfect, but deserves recognition as an interesting misunderstanding of the hallucination generation. Those into this kind of kitsch will enjoy it the most. I'd rather watch The Trip or Psych-Out however. (610)　　-from imdb