信盈影院提供的《法斯賓德：無(wú)索求地愛(ài)》不是一部簡(jiǎn)單的德語(yǔ)紀(jì)錄片，Christian,Braad,Thomsen導(dǎo)演的法斯賓德：無(wú)索求地愛(ài)首次上映于2015年的德國(guó)地區(qū)，是一部在電影史上有著重大意義的德語(yǔ)語(yǔ)言對(duì)白電影，法斯賓德：無(wú)索求地愛(ài)電影是一部值得反復(fù)觀看的經(jīng)典之作，它每一次觀看都會(huì)帶給觀眾新的感受。

電影《法斯賓德：無(wú)索求地愛(ài)》觀后點(diǎn)評(píng)：《法斯賓德：無(wú)索求地愛(ài)》電影的場(chǎng)景設(shè)計(jì)精美絕倫，電影中的每一個(gè)場(chǎng)景都充滿了藝術(shù)感。

《法斯賓德：無(wú)索求地愛(ài)》電影劇情介紹：

Rainer Werner Fassbinder was probably Germany’s most significant post-war director. His swift and dramatic demise at the early age of 37 in 1982 left behind a vacuum in European filmmaking that has yet to be filled, as well as a body of unique, multi-layered and multifarious work of astonishing consistency and rigour. From 1969 onwards, Danish director and film historian Christian Braad Thomsen maintained a close yet respectfully distanced friendship with Fassbinder. Fassbinder – Lieben ohne zu fordern is based on his personal memories as well as a series of conversations and interviews he held with Fassbinder and his mother Lilo in the 1970s. The film also contains current interviews with Irm Hermann and Harry Baer, both of whom were close to Fassbinder. Beginning with Fassbinder’s extraordinary childhood in traumatised post-war Germany, the film, which is divided into seven chapters, provides an illuminating, intimate and moving tribute that bears witness to the enduring relevance of both the man and his work. Today in particular his oeuvre continues to provoke us to engage with controversy and tension – be it aesthetical, creative or critical. berlianle 2015